Musings on ballet, classical music, the violin, and life
If it’s not about classical music, ballet or the violin, you’ll find it here.
“The Inheritance” by Terez Rose Opal chanced upon the violin the day she went searching in the attic for her husband Stan’s gun. The attic was awash in clutter. She waded through it all, stubbing her toe on the Christmas tree stand and knocking over a stack of boxes. And in the end, no gun … Read more
This article first appeared at Violinist.com in May 2008 It is Saturday, a warm, drowsy afternoon in the Santa Cruz Mountains, and my family and I are doing our respective family things. My husband is in the office, tapping away at the computer while my son putters about in the playroom, pausing from time to … Read more
People sometimes think ballet training is like classical music training (meaning, starting early, and young, can be a tremendous boost) and they might inadvertently dissuade a niece or a young family friend, who longs to dance, but is already in middle school. I answered this question over at my Q&A page, and thought the information … Read more
Night three of Nutcracker performances when I danced Sugar Plum Fairy, back in the day. Ow. Must confess to more than one bout of crying and “I’m not sure I can go up on pointe – it hurts too much!” rant. But of course I did. With a smile. Oh, my. I do not miss … Read more
It all started innocently enough, a hunger to get more tactile feedback on intonation while practicing my violin at home. Sure, there was the tuning fork getting me to A440 and then I used my ear to tuning the other open strings to fifths. But what about the B that I’d sharp one minutes and flat … Read more