Musings on ballet, classical music, the violin, and life
There is this moment In Helgi Tomasson’s Nutcracker where the party host, Dr. Stahlbaum, connects two electrical cords and the Christmas tree in the family’s San Francisco living room lights up. Everyone oohs and aahs because in-house electricity was a new-fangled thing in 1915, the year in which the production is set. The irony is … Read more
Exciting news just announced by San Francisco Ballet: encore performance of Swan Lake with thrilling guest artists. Details below! I know some of you, my dear readers, are classical music fans but not ballet fans. Likewise, some among you are just as happy—maybe you even prefer—to see contemporary ballet works set to jazz, soul, even electronica. … Read more
Looking for The Classical Girl’s review of Program B? Here you go! www.bachtrack.com Prepare yourself, dance world. San Francisco Ballet’s Unbound, a festival featuring twelve new works, is about to land in San Francisco. And it’s going to be big. An unprecedented, mind-expanding, creatively explosive extravaganza that includes the following: Twelve internationally acclaimed choreographers Four programs running … Read more
Tchaikovsky’s “Waltz of the Flowers” is still looping through my mind, even as the curtain closed for the last time on San Francisco Ballet’s Nutcracker last weekend. I’m crazy about this production; I’ve raved about it HERE and HERE. You can see my Bachtrack review of this year’s opening night performance HERE. I like to attend … Read more
Willem Christensen and Gisella Caccialanza, 1944 It hadn’t been intended as a “timeless holiday classic,” that first year, on Christmas Eve day, 1944, when Willem Christensen, artistic director of the fledgling San Francisco Ballet, presented to audiences his complete, two-act Nutcracker production. He’d known he was doing something relatively new. The only other complete Nutcracker ballet outside Russia had been in … Read more