Classical Girl’s Top 10 works for Holy Week

As a lifelong Catholic, I’ve always taken Holy Week seriously in a personal way, and the reading of The Passion on Palm Sunday always deeply affects me. You’d think I’d never heard the story before, of Jesus’s triumphant arrival into Jerusalem, his Last Supper, praying in the garden of Gethsemane, his betrayal by one of … Read more

Yuja Wang takes on Rautavaara’s Piano Concerto

Yuja Wang was the star we’d all come to see at San Francisco’s Davies Symphony Hall last Sunday afternoon. A change in programming had rewarded us in dividends; she’d be performing not just one but two piano concertos. For most of the audience, I’m guessing, it was Ravel’s intense Piano Concerto for the Left Hand … Read more

10 musical reasons to love Samuel Barber

The list must begin with the Violin Concerto. Because it all began with the Violin Concerto. For me, at least. Sure, I’d heard Samuel Barber’s ever-popular Adagio for Strings, but although I loved it like most people do, it was simply that “that lovely, affecting tear-jerker” from a compilation CD I’d had for years and … Read more

Mussorgsky’s spooky “Night on Bald Mountain”

    It’s October, and the urge for theatrical, spooky music always arises for me right about this time. Cue a visit to the blog I wrote years back, “Ten Spooky Classical Faves for Halloween.” Each year, it seems, I have a different relationship with the music and its composers. This year, I’m taking a … Read more

Dukas, a sorcerer, and a mouse

Ask someone who’s seen the 1940 animated film, Fantasia, which piece they best remember, and the majority will respond with, “The Sorcerer’s Apprentice” or “the one with Mickey Mouse.” (Runners up might include Bach’s “Toccata and Fugue,” Tchaikovsky’s “Waltz of the Flowers,” or Mussorgsky’s “Night on Bald Mountain,” but that’s a blog for another time.) … Read more