Waltzing into Aram Khachaturian’s “Masquerade”

No piece of classical music grips my ballet-dancer’s imagination like Aram Khachaturian’s “Waltz” from his Masquerade suite. Like his Piano Concerto that I blogged about HERE in 2017, it doesn’t start so much as drop the listener smack into a musical extravaganza, where the lines between listener and music have been erased and, oh Lord, … Read more

Africa on the mind: Fela Sowande and Ibogaine

My return to Africa — if only in my mind — started early one morning last week in the most curious of places: my local classical music station. Something wonderful was playing, a suite of five movements, each one telling its own story in a distinctive musical voice. But who was it? I discerned a … Read more

Classical Girl’s Top 10 works for Holy Week

As a lifelong Catholic, I’ve always taken Holy Week seriously in a personal way, and the reading of The Passion on Palm Sunday always deeply affects me. You’d think I’d never heard the story before, of Jesus’s triumphant arrival into Jerusalem, his Last Supper, praying in the garden of Gethsemane, his betrayal by one of … Read more

Yuja Wang takes on Rautavaara’s Piano Concerto

Yuja Wang was the star we’d all come to see at San Francisco’s Davies Symphony Hall last Sunday afternoon. A change in programming had rewarded us in dividends; she’d be performing not just one but two piano concertos. For most of the audience, I’m guessing, it was Ravel’s intense Piano Concerto for the Left Hand … Read more

10 musical reasons to love Samuel Barber

The list must begin with the Violin Concerto. Because it all began with the Violin Concerto. For me, at least. Sure, I’d heard Samuel Barber’s ever-popular Adagio for Strings, but although I loved it like most people do, it was simply that “that lovely, affecting tear-jerker” from a compilation CD I’d had for years and … Read more