Tag Archives: Korngold

10 tips for the fledgling classical music lover

I love when people contact me to express their interest in classical music. And 2018 is already turning out to be a banner year for such requests. I think it’s fantastic. It’s as if all these fine minds of ours, regardless of creed, political slant or affiliation, are seeking out new vistas and perspectives, discovering something that is unequivocally beautiful, soulful, thought-provoking, and can be discussed in a ways that don’t divide us. Or at least allow for discourse like the following: “Okay, you think the elegance of the Classical Era can’t be beat, but you have to admit that my favorite, the Mainstream Romantics, allow for gorgeous emotion to arise. And we can both agree that classical music isn’t as stuffy or boring as we’d once thought!”

So this blog is devoted to all of you out there, dipping your toe into the classical music waters, not sure if you’re up for the full swim, but willing to wade around a bit. Hop in—the temperature is just right! So without further ado, here are…

10 tips for the fledgling classical music lover

  1. Buy compilation CDs. Or borrow them from your library. Or YouTube them. There are so many opportunities to hear classical music for cheap these days, it’s amazing. Go to your local music store; I guarantee you there will be a few dozen CDs with prices $2.99 and below. Don’t regularly go to a local music store, or your town doesn’t have one? Find one. Go to it. Do it. They are great places to browse and are a slice of a disappearing Americana. That said… On Amazon, I found this: http://a.co/1hD37LK It’s a 10-disc box set of classical compilations; I own three of the CDs and I had no idea there was a ten-disc set. For a good used copy, several of which are priced around $8.00 with shipping, it’s a staggering deal. It has both the ultra-familiar pieces and unique ones, many of which are simply movements from a sonata, a symphony, a concerto. So, once you decide which one you really like, look for the longer version. And did I mention that THIS IS A REALLY GOOD BARGAIN? Seriously, check it out.
  2. Get a classical music reference bible. I can’t tell you how often I consult mine, and what a pleasure it is. I bought mine a long time ago; it’s called Building A Classical Music Library, by Bill Parker. Some of the recordings the author suggests are likely dated now, but since classical music is rather timeless, it’s all still largely relevant. The author has a very easy-to-read style as he talks about the composers, dividing them into their respective eras. This alone has been a great reference tool for me. Before reading it, I wouldn’t have known whether Chopin, say, or Dvorak or Debussy were Early Romantic, Mainstream Romantic, or Late Romantic. (The answers: yes, yes and yes, respectively.) So, you get a fun little story about each composer, the pieces that made them famous, and recording suggestions. To buy, click on the above title or click HERE.
  3. Go to freebie classical music events, often done at lunchtime within a city’s civic center area, or in a church with nice acoustics. And for any performance you plan to attend, do a little research in advance. Wikipedia is great for learning quickly about any composer, any piece of music. It’s easy, and will allow you to better appreciate what you’re hearing. And you’ll get to impress your friends with your knowledge.
  4. Bookmark an HD digital or online classical music station on your devices. There are dozens, if not more. I listen to KAZU HD classical . Classical music 24/7, no commercials. On my car stereo, I just rediscovered a classical music station broadcast by a university nearby – what a win! Alas, there are fewer and fewer radio stations that broadcast classical. But in an increasingly wired world, you’ve got all of the Internet. And for offline time, you have…
  5. Podcasts. Most include a few minutes or more of talk, followed by a music excerpt or longer work. A great way to learn and listen while driving/walking/tuning out noisy people in public. A few to check out include Classical Podcasts, Classical Classroom, BBC Radio3 (scroll down from the landing page).
  6. Buy a season subscription to the symphony. Not just one ticket–make the investment of one season. It might feel extreme at the time, but you’ll be glad you did it. You sorta need to sit through something you wouldn’t have otherwise cherry-picked for your listening experience. (Speaking from the voice of experience here, having done both.) Granted, you’ll want the subscription series to include the works you prefer to hear. But chances are, there will be one concert you might not have otherwise attended, and that usually means three music selections new to your ears. (San Francisco Symphony allows you to switch around concerts during the season, as well, so you can cherry-pick AND have a subscription experience. I’m guessing a good number of professional orchestras work that way for their subscribers.)
  7. Read the Amazon reviews of classical music CDs. These days, when I want to research a composer or a specific work, I first get the scoop via two sources: Wikipedia and Amazon reviews. Most of the people who leave reviews on classical music CDs at Amazon are amazingly well-educated on classical music and specifics of the work in question. Quite a few are former classical musicians, I sense. Others just really, really know classical music. I don’t always agree with their opinions, but I learn a whole lot, and that’s what matters to me.
  8. Listen to the basic classical music favorites that are, face it, overplayed. “Eine Kleine Nachtmusik”, Pachebel’s “Canon in D”. Et cetera. Then move on. Don’t stop there. Frankly, those classics are … boring. Well, let’s say this. No one becomes a classical music lover from hearing those. Listeners are sucked in by hearing Rachmaninov’s Piano Concerto No. 2 or the first movement of the Korngold Violin Concerto, or the soundtrack of the movie Amadeus. Which is why I will make a pitch again for that most excellent CD compilation set. (http://a.co/1hD37LK)
  9. Figure out what eras are your favorite. Examples might be Baroque, Classical, Romantic, Mainstream Romantic, Late Romantic, Modern. (That book I suggested buying makes learning this SO much easier.) Now, check out composers from that era you’ve maybe never heard of before. I myself have discovered new composers this way, like Reinhold Glière, Howard Hanson, Carl Nielsen. There’s a good chance you’ll like their stuff. It’s always worked for me.
  10. Challenge yourself from time to time and listen to an era you’re not familiar with. (Perk: it will make you love your preferred era even more.) Once again, a symphony subscription is great for this. It’s where I first heard the work of composer Alban Berg, even though I’d thought I’d prefer the other two musical works presented. And, almost forgot to mention – read the program notes while you’re waiting for the symphony to begin. They are delicious little stories that will make you appreciate the work even more. Case in point, the Berg Violin Concerto.)

All right, there you go. Ready to start your journey? To get you pumped up, here are a few compositions or symphony/concerto excerpts I think anyone would love. If the title is hyper-linked, I’ve written about it, and clicking the link will send you to the other blog and embedded music.

  • Claude Debussy: Clair de Lune, Beau Soir, Girl with the Flaxen Hair, Afternoon of a Faun
  • Dvorák: Romance in F-minor. “Klid” (Silent Wood)
  • Mozart: anything from the film Amadeus. Get the CD. What, you’ve never seen the movie?! Get the DVD along with the CD
  • Anything by Frederic Chopin
  • Schubert’s Impromptu #3 in G-flat major
  • Violin Concertos: Brahms, Korngold, Bruch, Mendelssohn, Tchaikovsky
  • Mendelssohn’s A Midsummer Night’s Dream. Tchaikovsky Symphony No. 1 (“Winter Daydreams”), Schumann’s Symphony No. 3, (“Rhenish”).
  • Rimsky-Korsakov’s “Scheherazade” and Edvard Grieg’s “Peer Gynt”
  • Saint Saens: “Danse Macabre”, Symphony No. 3 “Organ Symphony”, “Introduction and Rondo Capriccioso”
  • Rachmaninov Piano Concerto No. 2

It is excruciatingly hard to pick only one or two of the above suggestions to embed. And, interestingly, I’m choosing one that has grown overfamiliar to me, but was undeniably a piece of classical music that had me swooning with delight, utterly transporting me. So, here you go…

And finally, one that haunted me after hearing it in an art-house movie theater, decades ago, and I only re-discovered it by chance, two years ago. My idea of sublime.

Classical Girl’s Top 10 [and then some] violin concertos

Violin Concerto CD               

The violin concerto repertoire is so rich and satisfying, I’m embarrassed to admit that, prior to becoming an adult beginner on the violin in 2005, I was only familiar with a few of them. This, from a self-proclaimed classical music fanatic. Whoops.

But maybe that’s you, too. Now, I know some of my readers are violin peeps and this list of top violin concertos will not produce any surprises, but I have a hunch there are plenty of you out there, more ballet-oriented, who are more familiar with piano repertoire. Or maybe you’re a newcomer to classical music in general. This is the list for you.

One thing I should add. Most of these hail from the Romantic Era and beyond. You therefore won’t see works before 1806, before Beethoven’s opus burst forth, eras that would include concertos by Mozart (five of them, written in his late teens), Vivaldi (something like 230) Bach (two for solo violin, one for two violins). Also I didn’t include Paganini (who wrote six) who, like Beethoven, sort of straddled the Classical and Romantic Era.

So, without further ado, here are my personal faves, in no particular order. If the composer has more than one violin concerto, I’ve highlighted the one I prefer. If you click on the composer’s name, it will bring you to a YouTube link of the concerto.

The Classical Girl

Classical Girl’s Top 10 [and then some] violin concertos

  1. Tchaikovsky (in D major, Op. 35, 1878)
  2. Brahms (in D major, Op. 77, 1878)
  3. Sibelius (in D minor, Op. 47, 1905 – A staggering piece of work – my blog + link HERE)
  4. Bruch (No. 1 in G minor, Op. 26, 1867; No. 2 in D minor, Op. 44, 1878; No. 3 in D minor, Op. 58, 1891 – and all three are worthy! Blogged about Bruch HERE)
  5. Korngold (in D major, Op. 35, 1945)
  6. Beethoven (in D major, Op. 61, 1806 – Note to self: blog about this one SOON)
  7. Barber (Op. 14, 1939)
  8. Saint-Saëns (No. 3 in B minor; his No. 1 and No. 2 aren’t often performed)
  9. Mendelssohn (in E minor, Op. 64, 1845)

And this is where it gets very tricky, because there are SO many wonderful violin concertos still, so here are ten contenders for my 10th spot:

  1. Shostakovich (No. 1 in A minor, Op. 77, 1955; No. 2 in C sharp minor, Op. 129, 1967)
  2. Britten (Op. 15, 1939)
  3. Dohnányi (No. 1 in D minor, Op. 27, 1915: No. 2 in C minor, Op. 43, 1950)
  4. Bartok (No. 1, BB 48a, 1908, but published posthumously, 1956; No. 2, BB 117, 1938)
  5. Dvorák (in A minor, Op. 53, 1879)
  6. Wieniawski (No. 1 in F sharp minor, Op. 1853; No. 2 in D minor, Op. 22, 1862
  7. Goldmark (No. 1 in A minor, Op. 28, 1877; he composed a No. 2 that was never published)
  8. Berg (Written in twelve-tone, Op. ?, 1935)
  9. Prokofiev (No. 1 in D major, Op. 18, 1923; No. 2 in G minor, Op. 63, 1935.
  10. Schumann (in D minor, published posthumously) The Stravinsky VC really belongs here but I am sentimental about the Schumann and its otherworldly story – I blogged about it HERE

And yes, I know, you violin peeps are sitting up now, exclaiming, “Wait! No Lalo? No Viotti? No Khachaturian or Elgar?” Glazunov. Hindemith. Ligeti. Nielsen. Szymanowski. Previn. Walton. And Vieuxtemps certainly deserves to be on the list; he wrote a whopping seven violin concertos. And then there are the hard-on-the-ear but well respected concertos that deserve a mention, like the Schoenberg, the Schuman (note, spelled with only one “n,” an important differentiation to recognize). Berg’s concerto, while atonal, somehow manages to conjure something beautifully expressive and bittersweet – no small feat!

And STILL there are more. That’s the fun thing about really getting to know the violin concerto repertoire, and the violin repertoire in general. There are always more treasures to discover.

Give each one a listen and let me know which one is your favorite. As for me, if I had to be stranded on a desert island with a CD player [and somehow, magically, a lifetime supply of batteries] and only three concertos, I think it would have to be the Sibelius, Brahms and Mendelssohn. Yikes. Tough choices. Maybe the Beethoven would have to switch out one of the latter two. With the Tchaikovsky next in line. Only please don’t make me choose.

I could tell a story about each and every one of these concertos and/or their composer’s creative journey, but that would make for a hell of a long blog. Instead I’ll give each one its own blog, at which time I’ll return here and leave the link. In the meantime, here are a few blogs I enjoyed reading that offer great details on their own Top 10 picks (you’ll see a lot of similarities).

  • Stephen Klugewicz at The Imaginative Conservative HERE.
  • Gramophone UK HERE