Musings on ballet, classical music, the violin, and life
The Classical Girl For a gorgeous, non-classical, ambient 12-hour recording that’s amazing for sitting beside the dying, scroll to the bottom of this post… I thought my friend Grace had died already. This past week I was away on a five-day personal retreat without internet, so I had to go with the old-fashioned news source: one’s instincts. In … Read more
I had the opportunity to sit and talk face-to-face with author Terez Mertes Rose the other day (okay so it was a mirror), about her recently released novel, Ballet Orphans, a prequel and Book 3 of the Ballet Theatre Chronicles series. Here’s what she had to say…. What was the most challenging thing about writing … Read more
I am using “entranced” as description for the second time in San Francisco Ballet’s digital 2021 season with the premiere of Danielle Rowe’s Wooden Dimes. As the second of two world premieres, as well as the second dance film of the season, it invites comparison to Myles Thatcher’s Colorforms. Both transported me. Entranced me. Wooden … Read more
Amid the dreariness of an ongoing pandemic, Diablo Ballet shines in the second program of their 27th season, featuring Balanchine’s Who Cares?, Penny Saunders’ Berceuse, the world premiere of Two One Self, co-choreographed by Derion Loman and Michael Wells, and the Act III Wedding Scene from The Sleeping Beauty. The virtual performance, filmed in Diablo … Read more
I don’t consider myself to be someone easily seduced, much less by Death, but Schubert’s “Death and the Maiden” sears a haunting image on my psyche that has few equals in music. (One of them being, ironically, another Schubert piece, his Impromptu No. 3 that I blogged about HERE. And, okay, Debussy’s “Afternoon of a … Read more