Musings on ballet, classical music, the violin, and life
The Classical Girl She showed up in London, an apprenticeship with the Royal Ballet secured after her win in the Prix de Lausanne. Bolshoi Ballet had said “no thanks” upon her graduation at their ultra-elite training school. Here in the West, she decided, she would build her career. Shockingly, though, her Royal Ballet contract wasn’t renewed the next year. The English … Read more
A revised version of this appeared at Violinist.com in 2008 As the story has it, when Hungarian-born 20th century composer Franz Schmidt received the news in 1932 that his beloved daughter and only child, Emma, had died in childbirth, it was just prior to his setting to work on his Symphony no. 4 in C … Read more
Okay, let’s hear your opinion. Is watching a grand, evening-length story ballet on the silver screen better, worse, or the same as the real deal, live onstage before you? My opinion ricochets around, kind of like movie popcorn in its glass case at the concession stand. No, nothing can beat the real deal – nothing! … Read more
Robert Dekkers Jennifer Friel Dille David Fonnegra Tetyana Martyanova Rosselyn Ramirez Derek Sakakura Edward Stegge Mayo Sugano Justin VanWeest Okay, so maybe the title’s sort of a teaser. I mean, certainly, you should watch Diablo Ballet. And the aforementioned dancers are indeed a good reason to go — odds are you’ll see all of them perform, … Read more
The Classical Girl was a concept I’d created on the eve of 2013, a New Year’s resolution of sorts. My ballet novels were long completed, out being shopped, and I missed researching and living inside the dance world far more than I’d anticipated. Further, I knew, as a writer, that it was good to … Read more