Musings on ballet, classical music, the violin, and life
The closing scene of the ballet, Swan Lake, carries a real-life poignancy that can be hard to capture in 19th-century story ballets. In the ghostly light of a full moon against a lake, lovers Siegfried and Odette clash with evil sorcerer Von Rothbart in a fight to the death, as Tchaikovsky’s dramatic music builds to … Read more
I am using “entranced” as description for the second time in San Francisco Ballet’s digital 2021 season with the premiere of Danielle Rowe’s Wooden Dimes. As the second of two world premieres, as well as the second dance film of the season, it invites comparison to Myles Thatcher’s Colorforms. Both transported me. Entranced me. Wooden … Read more
The world of COVID-19 restrictions introduced itself to me in a rather heavy-handed fashion. On March 6th, San Francisco Ballet opened a new production, Balanchine’s glorious A Midsummer Night’s Dream. I rose the next morning, eagerly anticipating my trip to San Francisco for the weekend to attend two performances. Turning on my computer, I opened … Read more
Looking for The Classical Girl’s review of Program B? Here you go! www.bachtrack.com Prepare yourself, dance world. San Francisco Ballet’s Unbound, a festival featuring twelve new works, is about to land in San Francisco. And it’s going to be big. An unprecedented, mind-expanding, creatively explosive extravaganza that includes the following: Twelve internationally acclaimed choreographers Four programs running … Read more
Okay, so I’ve reviewed San Francisco Ballet’s Nutcracker before. Like, well, five times. It’s a little humbling when you pen a shiny new review, only to discover that you’ve unwittingly used much of the exact same wording in past reviews. Actually, it’s embarrassing, or would have been, if I hadn’t caught myself before submitting THIS … Read more