Musings on ballet, classical music, the violin, and life
I am using “entranced” as description for the second time in San Francisco Ballet’s digital 2021 season with the premiere of Danielle Rowe’s Wooden Dimes. As the second of two world premieres, as well as the second dance film of the season, it invites comparison to Myles Thatcher’s Colorforms. Both transported me. Entranced me. Wooden … Read more
Breaking news on May 23, 2016: Promotions announced! See addendum (and my own personal promotion wish list) below! How quickly the time flies, over at the San Francisco Ballet, at least when you’re sitting in the audience, savoring the programs as they roll onto the War Memorial Opera House stage, entertain, enlighten, and roll right … Read more
So, I got to attend a second performance of San Francisco Ballet’s Nutcracker this past week, which confirms my hunch that, literally, I can’t get enough of this company and this production. Opening night or weekday matinee, it doesn’t matter. It was all brilliant. And watching a second performance is great fun because you … Read more
The San Francisco Symphony is right across the street from the San Francisco Ballet. I attend both. I sharpen my skills as a dance reviewer while watching the ballet, so it would stand to reason that I learn more and more about composers and their music while at the symphony. Except when it comes … Read more
Buying a $25 ticket for the ballet can be a bit of a gamble. The cheapest seats tend to be the ones furthest back, in the nosebleed section, but you’ll also find them way up close, or way off to the side. (Or, one time, this miracle bargain: https://www.theclassicalgirl.com/how-i-attended-the-san-francisco-ballet-for-14/). Last Saturday night, my $25 seat was … Read more