Musings on ballet, classical music, the violin, and life
I am using “entranced” as description for the second time in San Francisco Ballet’s digital 2021 season with the premiere of Danielle Rowe’s Wooden Dimes. As the second of two world premieres, as well as the second dance film of the season, it invites comparison to Myles Thatcher’s Colorforms. Both transported me. Entranced me. Wooden … Read more
It was the perfect setting, weather-wise, for attending San Francisco Ballet’s Frankenstein last Saturday night, following Friday’s North American premiere of this co-commission with the Royal Ballet. Storm clouds scudded over the darkened February skies, recent rains abated, an uneasy truce between storms that you knew would not last. Frankenstein weather. Something big was about to happen. … Read more
Okay, so I’ve reviewed San Francisco Ballet’s Nutcracker before. Like, well, five times. It’s a little humbling when you pen a shiny new review, only to discover that you’ve unwittingly used much of the exact same wording in past reviews. Actually, it’s embarrassing, or would have been, if I hadn’t caught myself before submitting THIS … Read more
Breaking news on May 23, 2016: Promotions announced! See addendum (and my own personal promotion wish list) below! How quickly the time flies, over at the San Francisco Ballet, at least when you’re sitting in the audience, savoring the programs as they roll onto the War Memorial Opera House stage, entertain, enlighten, and roll right … Read more
San Francisco Ballet patrons love their story ballets, and the most beloved is surely Swan Lake. Whether it’s because of, or in spite of the 2010 film, Black Swan, seeing this ballet at least once seems to be on everyone’s bucket list. Next to Nutcracker, this is what draws the non-ballet-goer to the ballet. Artistic … Read more