Musings on ballet, classical music, the violin, and life
Question: what makes choreographer Christopher Wheeldon’s stunning ballet, Cinderella, come so magically alive onstage? Answer: it’s everything. The scrim that gives the prologue a dreamy, cinematic feel. The four benevolent Fates who blend into the shadows. Prokofiev’s affecting music. Wheeldon’s choreography. The really, really good dancers. The tree that sprouts from Cinderella’s tears at her … Read more
At last the San Francisco Ballet has returned to the stage at the War Memorial Opera House, commencing with their 75th anniversary performance of Nutcracker, North America’s first full-length production, a fact we SFB patrons are mighty proud of. The Nutcracker run has finished, alas, and as we burst into the New Year, my eye is now … Read more
Tchaikovsky’s “Waltz of the Flowers” is still looping through my mind, even as the curtain closed for the last time on San Francisco Ballet’s Nutcracker last weekend. I’m crazy about this production; I’ve raved about it HERE and HERE. You can see my Bachtrack review of this year’s opening night performance HERE. I like to attend … Read more
Okay, so I’ve reviewed San Francisco Ballet’s Nutcracker before. Like, well, five times. It’s a little humbling when you pen a shiny new review, only to discover that you’ve unwittingly used much of the exact same wording in past reviews. Actually, it’s embarrassing, or would have been, if I hadn’t caught myself before submitting THIS … Read more
So, I got to attend a second performance of San Francisco Ballet’s Nutcracker this past week, which confirms my hunch that, literally, I can’t get enough of this company and this production. Opening night or weekday matinee, it doesn’t matter. It was all brilliant. And watching a second performance is great fun because you … Read more