Musings on ballet, classical music, the violin, and life
Why the San Francisco Ballet’s Nutcracker Online production, you ask? Because of course you have other options to watch The Nutcracker online this year. Dozens upon dozens of options, from companies all around the world. So. Here, up front, are ten good reasons: Because the first full-length North American Nutcracker started right here Those 600 … Read more
The world of COVID-19 restrictions introduced itself to me in a rather heavy-handed fashion. On March 6th, San Francisco Ballet opened a new production, Balanchine’s glorious A Midsummer Night’s Dream. I rose the next morning, eagerly anticipating my trip to San Francisco for the weekend to attend two performances. Turning on my computer, I opened … Read more
So, I got to attend a second performance of San Francisco Ballet’s Nutcracker this past week, which confirms my hunch that, literally, I can’t get enough of this company and this production. Opening night or weekday matinee, it doesn’t matter. It was all brilliant. And watching a second performance is great fun because you … Read more
The San Francisco Symphony is right across the street from the San Francisco Ballet. I attend both. I sharpen my skills as a dance reviewer while watching the ballet, so it would stand to reason that I learn more and more about composers and their music while at the symphony. Except when it comes … Read more
Buying a $25 ticket for the ballet can be a bit of a gamble. The cheapest seats tend to be the ones furthest back, in the nosebleed section, but you’ll also find them way up close, or way off to the side. (Or, one time, this miracle bargain: https://www.theclassicalgirl.com/how-i-attended-the-san-francisco-ballet-for-14/). Last Saturday night, my $25 seat was … Read more