It’s February 2020, and you know what that means? The Classical Girl has turned seven! The Classical Girl, as longtime readers might know, was a concept I’d created on the eve of 2013. A New Year’s resolution of sorts. My ballet novels were long completed, out being shopped (or already killed on the editorial-board table), … Read more The Classical Girl celebrates 7 years!
The long-held dream has finally actualized, and you now own your first pair of pointe shoes. At last! The thrill of calling those expensive, pink/peach, satiny, torpedo-shaped shoes your own. The pride. The satisfaction. The—yikes!—pain. Yup. The pain. Why? you might be crying, even after weeks into the ordeal. Even after having done all the … Read more 10 Reasons Those Pointe Shoes Hurt
Nocturne: (noun) In music, a composition inspired by, or evocative of, the night, and cultivated in the 19th century primarily as a character piece for piano. Falling in love with French composer Gabriel Fauré’s Nocturne No. 4 wasn’t one of those thunderclap experiences. It crept up on me, gradually. I’d been listening to this Fauré Nocturne CD … Read more Slipping inside Fauré’s Nocturne No. 4
Warning: do not attempt to drive or operate heavy machinery while listening to Rimsky-Korsakov’s Scheherazade for the first time. Said composition is known to have caused feelings of extreme uplift, a dreamlike state, mild disorientation and a disassociation with the mundane. Use with caution, not to exceed ten listens per day, unless ordered by your … Read more Rimsky-Korsakov’s magic “Scheherazade”
When I listen to Debussy’s “Prelude to the Afternoon of a Faun,” often referred to as simply “Afternoon of a Faun,” I’m reminded of the vertiginous feeling of gazing at a 3-D computer-generated picture, one that, once you’ve allowed your eyes and brain to shift slightly, draws you inside a world you previously hadn’t been … Read more Debussy’s “Afternoon of a Faun”