It’s February 2020, and you know what that means? The Classical Girl has turned seven! The Classical Girl, as longtime readers might know, was a concept I’d created on the eve of 2013. A New Year’s resolution of sorts. My ballet novels were long completed, out being shopped (or already killed on the editorial-board table), … Read more The Classical Girl celebrates 7 years!
Warning: do not attempt to drive or operate heavy machinery while listening to Rimsky-Korsakov’s Scheherazade for the first time. Said composition is known to have caused feelings of extreme uplift, a dreamlike state, mild disorientation and a disassociation with the mundane. Use with caution, not to exceed ten listens per day, unless ordered by your … Read more Rimsky-Korsakov’s magic “Scheherazade”
I love when people contact me to express their interest in classical music. And 2018 is already turning out to be a banner year for such requests. I think it’s fantastic. It’s as if all these fine minds of ours, regardless of creed, political slant or affiliation, are seeking out new vistas and perspectives, discovering something … Read more 10 tips for fledgling classical music lovers
Sergei Rachmaninov’s Piano Concerto No. 2, Op 18 is the kind of music that grips you by the collar and draws you into its world instantly, with its rich orchestral textures and dramatic fervor. I’ve loved it for years. Decades. Last weekend I attended the San Francisco Ballet’s Program 1, and was dazzled by the … Read more Is Rachmaninov’s Piano Concerto No. 2 lowbrow?