Musings on ballet, classical music, the violin, and life
She showed up in London, an apprenticeship with the Royal Ballet secured after her win in the Prix de Lausanne. Bolshoi Ballet had said “no thanks” upon her graduation at their ultra-elite training school. Here in the West, she decided, she would build her career. Shockingly, though, her Royal Ballet contract wasn’t renewed the next year. The English … Read more
My first glimpse of the magic that is “The Kingdom of the Shades” came when I was sixteen, via the opening sequences of the film The Turning Point. The music, the image of twenty-four women attired in white, descending a tiered ramp through silvery lighting, striking arabesques in perfect synchronicity, haunted me. Particularly once I got some … Read more
Watching the San Francisco Ballet perform Nutcracker is a big deal for two reasons. First, because the company does a bang-up, never-seen-it-done-better job on the production. Second, it gives SFB patrons a chance to see what the company is shaping up to look like for their upcoming winter/spring repertoire season. Rosters change, dancers come and … Read more
Story has it, San Francisco Ballet principal dancer Yuan Yuan Tan’s career once hinged on one precipitous toss of a coin (ironically and coincidentally a Chinese yuan). She was ten, born and raised in Shanghai by traditional-minded Chinese parents. Her father was against the idea of her training to become a ballet dancer (too Western, … Read more
In my blog, “A Royal Exodus,” (https://www.theclassicalgirl.com/?p=487), I elaborated on some of the changes taking place at the Royal Ballet over the past twelve months. Prima ballerina Tamara Rojo off to serve as artistic director (and principal dancer) for the English National Ballet. Longtime principals retiring. Last month, Alina Cojocaru and Johann Kobborg’s shocking, unexpected … Read more