Holiday Therapy: Franck’s “Panis Angelicus”

I first heard César Franck’s “Panis Angelicus” in December when my husband and I were living in London. While holiday shopping, I picked up a compilation CD entitled “Sacred Songs for Christmas,” drawn by the fact that some of the songs and carols were new to my American ears. Back home, I gave the CD … Read more

The Halloween-ness of Berlioz’s “Symphonie fantastique”

It’s October, Halloween is here and I am obsessed with Berlioz’s Symphonie fantastique. Blame it on the title and mood of the symphony’s fifth movement: “Dream of a Witches’ Sabbath.” Could any title be more deliciously spooky? It’s this movement, and this symphony, that make classical music people nod in recognition at the sound of … Read more

Arvo Pärt’s “Fratres for Strings & Percussion” at the SF Symphony

  There is something about going to the symphony in the summer that makes it feel like such a different experience from its wintertime counterpart. How strange to enter Davies Symphony Hall while it’s still light outside. Inside, you stand at any of the building’s floor-to-ceiling windows—in truth, one entire side of the building is almost … Read more

Slipping inside Fauré’s Nocturne No. 4

Nocturne: (noun) In music, a composition inspired by, or evocative of, the night, and cultivated in the 19th century primarily as a character piece for piano.  Falling in love with French composer Gabriel Fauré’s Nocturne No. 4 wasn’t one of those thunderclap experiences. It crept up on me, gradually. I’d been listening to this Fauré Nocturne CD … Read more

Possokhov and Scarlett bring two world premieres to the SFB stage

With The Sleeping Beauty all wrapped up at the War Memorial Opera House, it’s officially the halfway point for San Francisco Ballet’s 2019 repertory season. Last season’s Unbound: A Festival of New Works (which I blogged about HERE) gave the company twelve world premieres, several of which are being repeated this season. But 2019 brings its … Read more