Musings on ballet, classical music, the violin, and life
Do I want this blog to be the story of the fiery, relentless energy of the ten years in which I produced five muse-inspired novels? The aching loss as the decade-long dream of being traditionally published got pounded down into nothingness? Nah. The New Year is a great opportunity to end a pity party over … Read more
It was a night for music lovers, not just ballet lovers, last Saturday at the San Francisco Ballet. Beethoven’s Piano Trio no. 1, Saint Saens’ Symphony no. 2 (injected with the sublime 2nd movement from his Symphony no. 3) and Stravinsky’s iconic The Rite of Spring. We are so fortunate, we of the San Francisco … Read more
Back in 2014, I attended Ballet San Jose’s “Neoclassical to Now,” the opening program of their dance season. Balanchine’s Serenade and Jorma Elo’s Glow-Stop were recognizable and memorable, but I knew nothing about the evening’s third piece, Israeli choreographer’s Ohad Naharin’s Minus 16. During the intermission just prior, someone dressed in a dark suit jacket … Read more
This week at The Ajennda (www.theajennda.com) , a dance-related blog run by Jenn Romano, I was invited to contribute to the site’s “What I Learned From Ballet” section. I wrote a ruminative little piece about discovering beauty, grace, within ballet, during my adolescent years in Kansas that seemed otherwise devoid of those things. I also … Read more
This is The Modern Classic, created by gwenyth. It’s an activewear top and tunic that’s great for ballet, yoga, summer attire, travel days, cocktail parties. All this in one garment. How cool is that? Founder and CEO Michele Cheowtirakul Braxton invited me to give one a test drive and, as I wear exercise clothes of all … Read more