This past weekend, acclaimed violinist Leonidas Kavakos performed the Sibelius Violin Concerto with the San Francisco Symphony. As you might know, I’m a big fan of this concerto. (Elaborated HERE.) I found Kavakos’ interpretation to be magnificent. Soul-stirring. No, not perfect. Sometimes a note didn’t land precisely right on the money. And there were moments where the pacing seemed … Read moreLeonidas Kavakos, the Sibelius VC, the SFS, and the truth
Buying a $25 ticket for the ballet can be a bit of a gamble. The cheapest seats tend to be the ones furthest back, in the nosebleed section, but you’ll also find them way up close, or way off to the side. (Or, one time, this miracle bargain: http://www.theclassicalgirl.com/how-i-attended-the-san-francisco-ballet-for-14/). Last Saturday night, my $25 seat was … Read moreHummingbirds and bargain seats at the San Francisco Ballet
I fell in love with Bizet’s opera Carmen, early in my college days. At first it was only the orchestral score, via cassette. The music was imbued with such story on its own, so delicious that I could sit on the frayed couch in my ratty apartment, eyes shut, and listen to the recording … Read moreCarmen: Petit, Bizet and Ballet San Jose
Watching the San Francisco Ballet perform Nutcracker is a big deal for two reasons. First, because the company does a bang-up, never-seen-it-done-better job on the production. Second, it gives SFB patrons a chance to see what the company is shaping up to look like for their upcoming winter/spring repertoire season. Rosters change, dancers come and … Read moreSan Francisco Ballet time again!
Confession time: I didn’t know about the Smuin Ballet until just a few years ago. I knew Michael Smuin’s name from San Francisco Ballet lore, where he’d been a principal dancer, a choreographer, a co-director from 1973 until Helgi Tomasson’s arrival in July 1985. Smuin founded his own company nine years later, by which … Read moreSmuin: the other San Francisco ballet