Musings on ballet, classical music, the violin, and life
The Classical Girl It’s a tall order these days to command oneself to be happy and productive. I myself have started and stopped this blog over a dozen times in the past few weeks. Something in me is frozen, distraught, in shock over the same thing everyone else is feeling discomfort and/or trauma over, and even though that … Read more
The world of COVID-19 restrictions introduced itself to me in a rather heavy-handed fashion. On March 6th, San Francisco Ballet opened a new production, Balanchine’s glorious A Midsummer Night’s Dream. I rose the next morning, eagerly anticipating my trip to San Francisco for the weekend to attend two performances. Turning on my computer, I opened … Read more
We are living in a time rife with uncertainty, upheaval and high tension, for which, I’ve decided, Balanchine’s A Midsummer Night’s Dream is the perfect antidote. Created in 1962 to music by Felix Mendelssohn, it was George Balanchine’s first original full-length ballet, and quickly hailed as a masterpiece. San Francisco Ballet audiences haven’t seen it since 1986, … Read more
It’s February 2020, and you know what that means? The Classical Girl has turned seven! The Classical Girl, as longtime readers might know, was a concept I’d created on the eve of 2013. A New Year’s resolution of sorts. My ballet novels were long completed, out being shopped (or already killed on the editorial-board table), … Read more
Claude Debussy’s “The Girl with the Flaxen Hair” ranks right up there alongside his “Clair de Lune,” “Beau Soir” and “Afternoon of a Faun” on my “favorite short classical pieces” list. In spite of their brevity, all of them immediately transport you, taking you to a vivid, sensual, evocative place that, once you’ve returned to the … Read more