Musings on ballet, classical music, the violin, and life
Okay, so I’ve reviewed San Francisco Ballet’s Nutcracker before. Like, well, five times. It’s a little humbling when you pen a shiny new review, only to discover that you’ve unwittingly used much of the exact same wording in past reviews. Actually, it’s embarrassing, or would have been, if I hadn’t caught myself before submitting THIS … Read more
Breaking news on May 23, 2016: Promotions announced! See addendum (and my own personal promotion wish list) below! How quickly the time flies, over at the San Francisco Ballet, at least when you’re sitting in the audience, savoring the programs as they roll onto the War Memorial Opera House stage, entertain, enlighten, and roll right … Read more
San Francisco Ballet patrons love their story ballets, and the most beloved is surely Swan Lake. Whether it’s because of, or in spite of the 2010 film, Black Swan, seeing this ballet at least once seems to be on everyone’s bucket list. Next to Nutcracker, this is what draws the non-ballet-goer to the ballet. Artistic … Read more
Willem Christensen and Gisella Caccialanza, 1944 It hadn’t been intended as a “timeless holiday classic,” that first year, on Christmas Eve day, 1944, when Willem Christensen, artistic director of the fledgling San Francisco Ballet, presented to audiences his complete, two-act Nutcracker production. He’d known he was doing something relatively new. The only other complete Nutcracker ballet outside Russia had been in … Read more
It was a night for music lovers, not just ballet lovers, last Saturday at the San Francisco Ballet. Beethoven’s Piano Trio no. 1, Saint Saens’ Symphony no. 2 (injected with the sublime 2nd movement from his Symphony no. 3) and Stravinsky’s iconic The Rite of Spring. We are so fortunate, we of the San Francisco … Read more